African American Resources

African American Arts : Activism, Aesthetics, and Futurity by Sharrell D. Luckett Signaling such recent activist and aesthetic concepts in the work of Kara Walker, Childish Gambino, BLM, Janelle MonÁe, and Kendrick Lamar, and marking the exit of the Obama Administration and the opening of the National Museum of African American History and Culture, this anthology explores the role of African American arts in shaping the future, and further informing new directions we might take in honoring and protecting the success of African Americans in the U.S. The essays in African American Arts: Activism, Aesthetics, and Futurity engage readers in critical conversations by activists, scholars, and artists reflecting on national and transnational legacies of African American activism as an element of artistic practice, particularly as they concern artistic expression and race relations, and the intersections of creative processes with economic, sociological, and psychological inequalities. Scholars from the fields of communication, theater, queer studies, media studies, performance studies, dance, visual arts, and fashion design, to name a few, collectively ask: What are the connections between African American arts, the work of social justice, and creative processes? If we conceive the arts as critical to the legacy of Black activism in the United States, how can we use that construct to inform our understanding of the complicated intersections of African American activism and aesthetics? How might we as scholars and creative thinkers further employ the arts to envision and shape a verdant society? Contributors: Carrie Mae Weems, Carmen Gillespie, Rikki Byrd, Amber Lauren Johnson, Doria E. Charlson, Florencia V. Cornet, Daniel McNeil, Lucy Caplan, Genevieve Hyacinthe, Sammantha McCalla, Nettrice R. Gaskins, Abby Dobson, J. Michael Kinsey, Shondrika Moss-Bouldin, Julie B. Johnson, Sharrell D. Luckett, Jasmine Eileen Coles, Tawnya Pettiford-Wates, Rickerby Hinds. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press. 

African Americans in U.S. Foreign Policy : From the Era of Frederick Douglass to the Age of Obama by Linda Heywood et al. Bookended by remarks from African American diplomats Walter C. Carrington and Charles Stith, the essays in this volume use close readings of speeches, letters, historical archives, diaries, memoirs of policymakers, and newly available FBI files to confront much-neglected questions related to race and foreign relations in the United States. Why, for instance, did African Americans profess loyalty and support for the diplomatic initiatives of a nation that undermined their social, political, and economic well-being through racist policies and cultural practices? Other contributions explore African Americans' history in the diplomatic and consular services and the influential roles of cultural ambassadors like Joe Louis and Louis Armstrong. The volume concludes with an analysis of the effects on race and foreign policy in the administration of Barack Obama. Groundbreaking and critical, African Americans in U.S. Foreign Policy expands on the scope and themes of recent collections to offer the most up-to-date scholarship to students in a range of disciplines, including U.S. and African American history, Africana studies, political science, and American studies.

A History of the African American Church by Carter G. Woodson Carter G. Woodson's classic text on the emergence of African American churches, chronicling their story out of the eighteenth-century evangelical revivals and their transformations through the nineteenth and early twentieth century, is important for reasons other than "black church" history. With the exception of recent books, such as C. Eric Lincoln and Lawrence H. Mamiya's "The Black Church in the African-American Experience," Woodson's text remains one of the best overviews of the topic. But Woodson's text is also a significant account of the ways in which Christian-based instruction and socialization shaped not only class divisions and vetted leadership among, but also shaped who/what became the "Negro/Colored/Black/African American." For even the "Father of Black History," as Woodson is often called, could not escape the spell casted by the prevailing Christian ideology of his time, and in the earlier periods he investigated. In fact, Woodson viewed "Christianity as] a rather difficult religion for the] undeveloped mind of the enslaved African] to grasp," and never questioned this Christianity or probed the African basis of rituals and ideas among the enslaved and the emancipated. Instead, Woodson extols the virtues of Christianity among the converted, and the men who established the various churches in African descended communities, including the educative, social, economic, and political roles played by these institutions after the U. S. Civil War. There is little here about those who adhered to spiritual or religious practices and ideas that remained as close to Africa as possible. For Woodson, then, the ministry was one of the highest callings and occupations to which African American male leaders could aspire, and from which they accrued prominence within their communities at a time when religious instruction was the primary schooling option available. These "educated Negroes," as Woodson called them, were now armed with the Christian religion, Christian names, and a dream to partner (in an inferior position) with the dominant values and views of white society, which all created sectarianism and, eventually, two divergent visions among African descended peoples in North America. Nineteenth century converts split along "class" lines, and urbanized elites developed a Christian distaste for their kinfolk who continued to engage in African-based rituals and practices, such as the ring shout. By the first quarter of the nineteenth century, these elites began to seek equal rights and full acceptance by whites-thus the need to distance themselves from things "African" and despite the fact that a few church organizations kept the term "African" as part of their name. The majority of the African-based community saw racism and its insidiousness as deeply rooted in their fight for human rights, while the elites viewed slavery and discrimination as obstacles which prevented "their" particular progress rather than a collective advancement. Since Woodson, writing in the first quarter of the twentieth century, had access to individuals who were either enslaved or children of the enslaved, his account is still therefore relevant as both a source and as a story that captures some of the foregoing processes in African and African American history.

African Americans and Africa by Nemata Amelia Ibitayo Blyden What is an "African American" and how does this identity relate to the African continent? Rising immigration levels, globalization, and the United States' first African American president have all sparked new dialogue around the question. This work provides an introduction to the relationship between African Americans and Africa from the era of slavery to the present, mapping several overlapping diasporas. It examines the diversity of African American identities through relationships with region, ethnicity, slavery, and immigration to investigate questions fundamental to the study of African American history and culture but often overlooked

The Columbia Guide to African American History Since 1939 by Robert Harris Jr. et al. This book is a multifaceted approach to understanding the central developments in African American history since 1939. It combines a historical overview of key personalities and movements with essays by leading scholars on specific facets of the African American experience, a chronology of events, and a guide to further study. Marian Anderson's famous 1939 concert in front of the Lincoln Memorial was a watershed moment in the struggle for racial justice. Beginning with this event, the editors chart the historical efforts of African Americans to address racism and inequality. They explore the rise of the Civil Rights and Black Power movements and the national and international contexts that shaped their ideologies and methods; consider how changes in immigration patterns have complicated the conventional "black/white" dichotomy in U.S. society; discuss the often uneasy coexistence between a growing African American middle class and a persistent and sizable underclass; and address the complexity of the contemporary African American experience. Contributors consider specific issues in African American life, including the effects of the postindustrial economy and the influence of music, military service, sports, literature, culture, business, and the politics of self-designation, e.g.,"Colored" vs. "Negro," "Black" vs. "African American". While emphasizing political and social developments, this volume also illuminates important economic, military, and cultural themes. An invaluable resource, The Columbia Guide to African American History Since 1939 provides a thorough understanding of a crucial historical period.

Making Black History : The Color Line, Culture, and Race in the Age of Jim Crow by Jeffrey Aaron Snyder In the Jim Crow era, along with black churches, schools, and newspapers, African Americans also had their own history. Making Black History focuses on the engine behind the early black history movement, Carter G. Woodson and his Association for the Study of Negro Life and History (ASNLH). Author Jeffrey Aaron Snyder shows how the study and celebration of black history became an increasingly important part of African American life over the course of the early to mid-twentieth century. It was the glue that held African Americans together as "a people," a weapon to fight racism, and a roadmap to a brighter future. Making Black History takes an expansive view of the historical enterprise, covering not just the production of black history but also its circulation, reception, and performance. Woodson, the only professional historian whose parents had been born into slavery, attracted a strong network of devoted members to the ASNLH, including professional and lay historians, teachers, students, "race" leaders, journalists, and artists. They all grappled with a set of interrelated questions: Who and what is "Negro"? What is the relationship of black history to American history? And what are the purposes of history? Tracking the different answers to these questions, Snyder recovers a rich public discourse about black history that took shape in journals, monographs, and textbooks and sprang to life in the pages of the black press, the classrooms of black schools, and annual celebrations of Negro History Week. By lining up the Negro history movement's trajectory with the wider arc of African American history, Snyder changes our understanding of such signal aspects of twentieth-century black life as segregated schools, the Harlem Renaissance, and the emerging modern civil rights movement.